Showing posts with label budapest open access initiative. Show all posts
Showing posts with label budapest open access initiative. Show all posts

29 September 2012

'Setting The Default To Open': The Next Ten Years Of Open Access

As Techdirt has reported, open access (OA) is scoring more and more major wins currently. But the battle to gain free access to academic research has been a long one. One of the key moments was the launch of the Budapest Open Access Initiative (BOAI) ten years ago, which saw the term "open access" being defined for the first time

On Techdirt.

18 October 2008

What is an Open University?

It is:


one in which

1. The research the university produces is open access.

2. The course materials are open educational resources.

3. The university embraces free software and open standards.

4. If the university holds patents, it readily licenses them for free software, essential medicines, and the public good.

5. The university network reflects the open nature of the internet.

where "university" includes all parts of the community: students, faculty, administration.

The Wheeler Declaration.

30 April 2008

What's in a Name? Strong and Weak Open Access

A few months ago, I had the temerity to suggest the following:

Definitions matter. If you want to see why, compare the worlds of open source and open access. The very specific definition of what is open source - having an OSI-approved licence - means that it is relatively easy to police. Open access, by contrast, does not have anything like a tight, "official" definition, with the result that less scrupulous publishers try to pass off their wares as open access if it's vaguely open or vaguely accessible.

This brought down upon me the wrath of Mr Open Access himself, as the comments to the above post bear witness. Happily, I survived the thunderbolts, and therefore lived to see the following declaration from the same presiding OA oracle:

The term "open access" is now widely used in at least two senses. For some, "OA" literature is digital, online, and free of charge. It removes price barriers but not permission barriers. For others, "OA" literature is digital, online, free of charge, and free of unnecessary copyright and licensing restrictions. It removes both price barriers and permission barriers. It allows reuse rights which exceed fair use.

There are two good reasons why our central term became ambiguous. Most of our success stories deliver OA in the first sense, while the major public statements from Budapest, Bethesda, and Berlin (together, the BBB definition of OA) describe OA in the second sense.

As you know, Stevan Harnad and I have differed about which sense of the term to prefer --he favoring the first and I the second. What you may not know is that he and I agree on nearly all questions of substance and strategy, and that these differences were mostly about the label. While it may seem that we were at an impasse about the label, we have in fact agreed on a solution which may please everyone. At least it pleases us.

We have agreed to use the term "weak OA" for the removal of price barriers alone and "strong OA" for the removal of both price and permission barriers. To me, the new terms are a distinct improvement upon the previous state of ambiguity because they label one of those species weak and the other strong. To Stevan, the new terms are an improvement because they make clear that weak OA is still a kind of OA.

On this new terminology, the BBB definition describes one kind of strong OA. A typical funder or university mandate provides weak OA. Many OA journals provide strong OA, but many others provide weak OA.

This was partly what I was trying to get across, in my own, 'umble and clearly not very successful way: the fact that "open access" was being used for quite different things - now named "strong" and "weak" open access - which confused matters no end, not least for people who were coming to the concept for the first time.

As a result of this new nomenclature, we now have precisely the "tight" definitions I was looking for:
"Weak OA" literature is digital, online, and free of charge. It removes price barriers but not permission barriers. "Strong OA" literature is digital, online, free of charge, and free of unnecessary copyright and licensing restrictions. It removes both price barriers and permission barriers. It allows reuse rights which exceed fair use.

There, that wasn't too hard, was it?

14 February 2008

Happy Birthday, Budapest Open Access Initiative

The Budapest Open Access Initiative (BOAI) is the nearest thing to an official definition of open access that we have. Today is apparently its sixth birthday. If you want to find out more about BOAI and what's happened in those six years, where better to go than the man who helped draw up that definition, Peter Suber?

And what better birthday present could open access have have than this announcement that Harvard, or at least The Faculty of Arts and Sciences, will be adopting it as standard policy?

The Faculty of Arts and Sciences of Harvard University is committed to disseminating the fruits of its research and scholarship as widely as possible. In keeping with that commitment, the Faculty adopts the following policy: Each Faculty member grants to the President and Fellows of Harvard College permission to make available his or her scholarly articles and to exercise the copyright in those articles. In legal terms, the permission granted by each Faculty member is a nonexclusive, irrevocable, paid-up, worldwide license to exercise any and all rights under copyright relating to each of his or her scholarly articles, in any medium, and to authorize others to do the same, provided that the articles are not sold for a profit.

08 January 2008

I Fear the Greeks, Not Bearing Gifts

As a big fan of the Greek national television channel ERT (available as a stream), I was interested in this campaign to gain open access to the ERT audiovisual archive:

Greek citizens, but also citizens of other countries, we jointly sign this text on the occasion of ERT’s choice to distribute its audiovisual archive non-freely to the public. Our aim and ambition is to publicize our propositions so that they become the starting point of an open dialog among the Greek society, the European and global public audience and to signal the revision of backward policies and the creation of common political wealth.

Few days ago, the ERT administration presented the beginning of the availability, only via Internet streaming, of a part of its audiovisual archive. This move constitutes an important first step, which, however, in our opinion, is tarnished by the fact that the public availability of the archive is not made free, although the Greek and European citizens have paid their money to make the production and digitization of the archive feasible.

To which I can only say: σωστά. (Via Open Access News.)

30 November 2007

The Cape Town Open Education Declaration

Just as the Budapest Open Access initiative was a defining moment for open access, so the Cape Town Open Education Declaration promises to be the same for open education:

We are on the cusp of a global revolution in teaching and learning. Educators worldwide are developing a vast pool of educational resources on the Internet, open and free for all to use. These educators are creating a world where each and every person on earth can access and contribute to the sum of all human knowledge. They are also planting the seeds of a new pedagogy where educators and learners create, shape and evolve knowledge together, deepening their skills and understanding as they go.

This emerging open education movement combines the established tradition of sharing good ideas with fellow educators and the collaborative, interactive culture of the Internet. It is built on the belief that everyone should have the freedom to use, customize, improve and redistribute educational resources without constraint. Educators, learners and others who share this belief are gathering together as part of a worldwide effort to make education both more accessible and more effective.

The expanding global collection of open educational resources has created fertile ground for this effort. These resources include openly licensed course materials, lesson plans, textbooks, games, software and other materials that support teaching and learning. They contribute to making education more accessible, especially where money for learning materials is scarce. They also nourish the kind of participatory culture of learning, creating, sharing and cooperation that rapidly changing knowledge societies need.

"The freedom to use, customize, improve and redistribute educational resources without constraint": does that sound familiar, Richard? Now all we need are some good open education licences.... (Via Open Access News.)

08 November 2007

Using a Commons to Protect a Commons

Here's some joined-up thinking: providing open access to key greenhouse figures:

The Global Warming Solutions Act of 2006 (A.B. 32) requires CARB to adopt regulations creating a greenhouse gas registry by Jan. 1, 2008, putting in place what appears to be the country's most comprehensive and sophisticated greenhouse gas registry.

The proposed regulations were developed with input from public and private stakeholders, state agencies and the general public. Modeled after the California Climate Action Registry (CCAR), a voluntary greenhouse gas reporting program started in 2001, the regulations detail which industrial sectors will report, what the reporting and verification thresholds and requirements will be, and how calculations will be made. Approximately 800 facilities will be required to report greenhouse gas (GHG) emissions, which CARB estimates will represent 94 percent of California's total carbon dioxide production from stationary sources.

(Via Open Access News.)

10 October 2007

Power to the (Young) People!

The Free Culture group are people after my own heart, so much so that their entire manifesto deserves quoting:


The mission of the Free Culture movement is to build a bottom-up, participatory structure to society and culture, rather than a top-down, closed, proprietary structure. Through the democratizing power of digital technology and the Internet, we can place the tools of creation and distribution, communication and collaboration, teaching and learning into the hands of the common person — and with a truly active, connected, informed citizenry, injustice and oppression will slowly but surely vanish from the earth.

We believe that culture should be a two-way affair, about participation, not merely consumption. We will not be content to sit passively at the end of a one-way media tube. With the Internet and other advances, the technology exists for a new paradigm of creation, one where anyone can be an artist, and anyone can succeed, based not on their industry connections, but on their merit.

We refuse to accept a future of digital feudalism where we do not actually own the products we buy, but we are merely granted limited uses of them as long as we pay the rent. We must halt and reverse the recent radical expansion of intellectual property rights, which threaten to reach the point where they trump any and all other rights of the individual and society.

The freedom to build upon the past is necessary for creativity and innovation to thrive. We will use and promote our cultural heritage in the public domain. We will make, share, adapt, and promote open content. We will listen to free music, look at free art, watch free film, and read free books. All the while, we will contribute, discuss, annotate, critique, improve, improvise, remix, mutate, and add yet more ingredients into the free culture soup.

We will help everyone understand the value of our cultural wealth, promoting free software and the open-source model. We will resist repressive legislation which threatens our civil liberties and stifles innovation. We will oppose hardware-level monitoring devices that will prevent users from having control of their own machines and their own data.

We won’t allow the content industry to cling to obsolete modes of distribution through bad legislation. We will be active participants in a free culture of connectivity and production, made possible as it never was before by the Internet and digital technology, and we will fight to prevent this new potential from being locked down by corporate and legislative control. If we allow the bottom-up, participatory structure of the Internet to be twisted into a glorified cable TV service — if we allow the established paradigm of creation and distribution to reassert itself — then the window of opportunity opened by the Internet will have been closed, and we will have lost something beautiful, revolutionary, and irretrievable.

The future is in our hands; we must build a technological and cultural movement to defend the digital commons.

I was particularly pleased to see from this New York Times article that they have also realised that the ramifications of defending the digital commons reach much further than merely demanding read-write media:

But in recent months, the group has made a point of branching out beyond music copyrights. At its first national conference, held at Harvard in May and attended by more than 130 people, speakers gave presentations on topics like enhancing Internet access in impoverished countries, and loosening patent regulations for pharmaceutical drugs.

“File-sharing may have brought these issues to public consciousness, but it’s not our only inspiration,” said Elizabeth Stark, founder of Harvard’s Free Culture group.

Some chapters have rallied around the Federal Research Public Access Act, a bill that would make it mandatory for government-financed research to be published in online journals, free to the public.

Young idealism: don't you just love it?

09 May 2007

Ode to an OA Hero

Open access is only just beginning to creep into public consciousness, so it is hardly suprising that the OA pioneers - the people that have done all the donkey work and made it happen - are almost totally unknown. So it is good to see this very detailed profile of Matthew Cockerill, one such OA hero.

He's (the) publisher at BioMed Central, which is part of the Vitek Tracz empire. Amusingly, I had lunch with Tracz some years ago, but got not an inkling of what he was up to, which is a pity given my current interest in his work. Whether that was his fault (he was communicative, but not in a very helpful way) or mine (I was insufficiently inquisitive), is hard to say: probably both.

02 May 2007

Now You're Talking

This is my kind of journal:

The Northwest Journal of Linguistics is dedicated to the description and analysis of the indigenous languages of northwestern North America.

Its first issue contains unputdownable papers such as "The Verbal Morphology of Santiam Kalapuya":

This work is a detailed description of the verbal morphology of Santiam Kalapuya, an extinct Native American language of Oregon. This work is the first in-depth grammatical analysis of this language.

De-licious, and open access to boot.

08 March 2007

The Tim O'Reilly of Open Access

I thought I knew open access history pretty well, but to my shame I seem to overlooked Melissa Hagemann:

Hagemann's strategic, behind-the-scenes planning on behalf of the Open Access movement during the past five years set in motion the series of events that have affected scholarship around the globe. It began in the summer of 2001, following critical developments in the Open Archives Initiative; the Public Library of Science petition advocating free access to research; and the establishment of BioMed Central. An environmental scan led her to layer her own assessment of what libraries and researchers needed on top of the varied, independent initiatives for free access underway among players in scholarly communication. She and her OSI colleagues brainstormed on a way to unify the movement under one umbrella – the umbrella of as yet-unnamed Open Access – and OSI gave her the go-ahead to convene the initial BOAI meeting.

BOAI refers to the Budapest Open Access Initiative; it was at this meeting that the phrase "open access" was coined and defined. In other words, it stand in the same relationship to the open access movement as the Freeware Summit does to open source. Which pretty much makes Hagemann the Tim O'Reilly of open access, I suppose. (Via Open Access News.)

19 February 2007

EU on OA: A Big, Fat Nullity

The open access world has been waiting with bated breath for an important EU document on the subject, in which a Europe-wide policy would be delineated - obviously with potentially huge impact. It's here, and it's 100% mealy-mouthed:


Access to, dissemination of, and preservation of scientific information are major challenges of the digital age. Success in each of these areas is of key importance for European information society and research policies. Different stakeholders in these fields have differing views on how to move towards improvements for access, dissemination and preservation.

Within this transition process from a print world to a digital world, the Commission will contribute to the debate among stakeholders and policy makers by encouraging experiments with new models that may improve access to and dissemination of scientific information, and by supporting the linkage of existing preservation initiatives at European level.

The Commission invites the European Parliament and Council to debate the relevant issues on the basis of the present Communication.

Oh yeah, right, thanks for nothing.

14 February 2007

Free Cultural Works vs. Open Content

Now I wonder where they got the idea for this:

This document defines "Free Cultural Works" as works or expressions which can be freely studied, applied, copied and/or modified, by anyone, for any purpose. It also describes certain permissible restrictions that respect or protect these essential freedoms. The definition distinguishes between free works, and free licenses which can be used to legally protect the status of a free work. The definition itself is not a license; it is a tool to determine whether a work or license should be considered "free."

Here's a further hint:

We discourage you to use other terms to identify Free Cultural Works which do not convey a clear definition of freedom, such as "Open Content" and "Open Access." These terms are often used to refer to content which is available under "less restrictive" terms than those of existing copyright laws, or even for works that are just "available on the Web".

Now, who do we know that prefers the word "free" to "open"?

04 December 2006

Open Science or Free Science?

The open science meme is rather in vogue at the moment. But Bill Hooker raises an interesting point (in a post that kindly links to a couple items on this blog):

should we be calling the campaign to free up scientific information (text, data and software) "Free Science", for the same reasons Stallman insists on "Free Software"?

Interestingly, there is another parallel here:

Just as free software gained the alternative name "open source" at the Freeware Summit in 1998, so free open scholarship (FOS), as it was called until then by the main newsletter that covered it - written by Peter Suber, professor of philosophy at Earlham College - was renamed "open access" as part of the Budapest Open Access Initiative in December 2001. Suber's newsletter turned into Open Access News and became one of the earliest blogs; it remains the definitive record of the open access movement, and Suber has become its semi-official chronicler (the Eric Raymond of open access - without the guns).